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Documenting the architectural heritage of the greater Persianate world

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Category: Inscriptions

June 22, 2024June 30, 2024 goudarzali

The Uzbek and Russian Inscription on the Alexei Nikolaevich Hospital in Khorazm

December 1, 2022 goudarzali

A Persian Inscription at the Shah-i-Zinda Tomb Ensemble – Samarqand, Uzbekistan

March 9, 2022March 9, 2022 goudarzali

The Defaced [Pahlavi era] Inscription of Imam Zadeh Mahrooq Shrine – Nishapur, Iran

March 8, 2022 goudarzali

The Shrine of Imam Ali – Between Two Different Areas

February 12, 2022February 12, 2022 goudarzali

Tomb of Sheikh Muslihhidin in Khujand and a Poetic Inscription by Hafez Shirazi

February 10, 2022November 8, 2022 goudarzali

Imam Reza’s Dome and the Post Revolution Inscription of Ayatollah Khomeini

February 6, 2022November 8, 2022 goudarzali

The 600 year old Timurid Inscription of Madresseh Du Dar – Shrine of Imam Reza

February 4, 2022February 12, 2022 goudarzali

SADDAM’S SHORT LIVED INSCRIPTION AT THE AL ABBAS HOLY SHRINE IN KARBALA

Who knew climbing a minaret was such a physically excruciating task. It took around 5 minutes of squeezing my body through this narrow spiral staircase, with stair risers each around 60 cm tall. As you went up, the stairs became taller, the walls narrower, and your heads clearance shorter. It was nearly pitch black within the minarets with light only pouring in from several small windows in its body. When the dome of the Al Askari Shrine was brought down in a logistically complex and thoroughly planned terrorist attack in 2006, it was not only the sacred tomb of an Shi'ite Imam that was destroyed. It was the destruction of the last grand Persian masonry dome to have been built before the adoption of western industrial materials and building methods forever changed Persian architecture. The masonry dome was built in 1905 AD, in the same fashion any grand dual shell Safavid dome would have been built in the 17th century. It was a true shame that it was destroyed just 100 years later. The Al Askari dome was the largest masonry built discontinuous double shell Persian dome up until its destruction in 2006. The modern era and its innovations enter Iran - Late Qajar era frescoes at a bathhouse in Mashhad, Iran Gulzari Shohada (Garden of the martyrs) - A portal to another world | Tomb and Garden of Khwaje Rabi | Mashhad, Iran محرم ماهی که خون بر شمشیر پیروز شد In continuation of the previous post, these photos from the past year show the demolition of the Mosque's historic 17th century dome. Until 2026, the Great Mosque of Kufa had two proper masonry historic dual shell Persian domes. One of these was a larger gilded one over the tomb of Muslim ibn Aqeel (the slain envoy of Hussain ibn Ali) and the other a smaller dome covered in tiles of a deep green color over the tomb of Hani ibn Urwa (the 7th century companion of Imam Ali). It is generally agreed they were constructed sometime in the Safavid period between the late 17th and early 18th centuries. Stylistically this lines up with the known construction dates of other Persian domes at the Atabat in Iraq which have similar designs and proportions and are also Safavid era constructions. Clock towers - a distinctly European form introduced during the industrial age, rose unexpectedly alongside the domes and minarets of Iran and Iraq in the late Qajar and Ottoman eras. As the old Eastern Islamic dynasties were increasingly exposed to European infrastructure and engineering, they sought to bring back some of these technologies to their own dominions. Of these were clock towers, these structures combined utilitarian function with architectural monumentality and were typically situated in sites of bustling civilian usage. In Europe this was often in squares and secular spaces, in Iran and Iraq where vast public squares were not a typical part of urban design, they were placed within the grand courtyards of mosques, shrines, and even cathedrals. It is painful to see attacks and destruction of Iran's infrastructure and the slaughter of its civilians by America—but it is hardly surprising.
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© ALI-REZA GOUDARZI, 2026

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